This
past weekend I had the good fortune to be able to attend a two day
workshop with Mike Svob, an artist from Vancouver BC. His work is collected all over the world and
much loved for his wonderful sense of colour. He is a terrific, giving
instructor, has a great sense of humour and really worked hard at
assisting everyone. As workshops go it was a five star and we all gained
valuable knowledge to build on our painting skill base. If you ever get
a chance to take a workshop from him, I would highly recommend it. He has a five day workshop coming up in White Rock in August and it's posted on his website if you're interested. He also has
a book that you can buy online called Paint Red Hot Landscapes That Sell.
Mike
believes in creating value study thumbnails where you can try a variety
of scenarios, and if the thumbnails aren't, you don’t go ahead with the painting. The
value studies are broken into light, midtone and darks. The values that
fall in between are pushed to the value that they are closest to, or as
Mike says “whichever value guy he seems to be hanging around with.” Mike
believes that value is the most important aspect of a painting and if
you get the values right, you can assign just about any colour in that
value spot.
Here is Mikes reference photo. He cropped down to the two people on the left. And here is his new design using this reference.
I totally loved that he changed just about everything in terms of colour. It was so exciting to watch the transformation and he did it so effortlessly.
The
first day we painted in acrylics and the second day in oils. Below is my
reference photo and the acrylic painting that came out of it using his
techniques.
Sorry it's a bad photo because I photographed the photograph to save time in searching for it on my computer.
I've been very focused on painting from life for both my still life work and my landscapes in plein air, so this has excited me SO much because I don't have to capture the perfect shot on the perfect day, or wander around looking for a terrific scene being lit by a heavenly beam of light. Not that I don't love plein air of course! But now I can trust myself to make some of it up and have a wonderful time doing it! I'm sure many of you have been interpreting a great deal more than I was willing to do, so you might not find this so exciting. But this way outside my comfort zone and I'm totally pumped about it!
Une publication pleine d'intérêt... J'aime lire les explication et admirer les exemples...
ReplyDeleteC'est très enrichissant.
Gros bisous à vous.
Hi Martine, so glad you enjoyed the explanation and photos. It was a great weekend! Thanks for visiting!
DeleteOoh! It sounds like you learned a lot! That would have been a fun workshop!
ReplyDeleteIt really was a wonderful weekend, I learned so much. I hope I can practice soon! Thanks for visiting and commenting, I really appreciate it.
DeleteWhat a wonderful workshop, Claire!! I love what you've done! Beautiful colors as well.
ReplyDeleteThanks Hilda, I really appreciate your feedback. It was a great workshop!
DeleteVery nice. Looks like a great workshop.
ReplyDeleteThanks Karen, it really was a great workshop.
DeleteYou made a spectacular painting, you turned the already beautiful reality into a stunning beauty , bravo !
ReplyDeleteThanks you Jane! It was such a fun workshop and I feel like I have a whole new approach to creating.
DeleteBeautiful painting, Claire! Mike Svob catapulted you to seeing the landscape differently . . . but it fits right in with the clarity of color and light you already use in your still-lifes. I've been exploring the same thing—using a life reference to start and then turning away and making the rest up. It feels like a revelation! Thanks for posting Mike's site.
ReplyDeleteThank you Lorraine, I so appreciate your comment. I just loved how he opened my eyes to possibilities I hadn't considered before. And it all made sense to me - it's very exciting.
Deletewhat a fantastic workshop Claire. And your painting turned out great!
ReplyDelete