Showing posts with label autumn scene. Show all posts
Showing posts with label autumn scene. Show all posts

Thursday, April 14, 2011

Autumn Escape


Acrylic on Textured Canvas 30 x 40 $1200

I've had the busiest couple of months doing lots of organization for shows coming up throughout this year. I've been submitting for entrance into shows, helping to apply for a grant for the Bowker Creek Brush Up Art Show and Sale in August, and I've been varnishing and framing like a crazy woman! As well I've been suffering from Blog Withdrawal and thinking that I'd be forgotten, when two of my blogging buddies, Virginia Floyd and Lorraine Shirkus, sent me kind messages checking in on me. Thanks ladies you really made my day!

This weekend is the Oak Bay Artists' Spring Studio Tour. I've spent the last few weeks preparing for the show by painting this larger version of a smaller piece I did called Country Road. When I completed Country Road I immediately thought that it was an image that could easily be much larger. So I went to a 30 x 40 canvas, and textured it with molding paste. I'm quite happy with the results, and when I compare the two, I prefer the brushstrokes of the smaller piece. But they both have their merits and I feel equally happy with them.

I have just finished hanging my show, and standing back and looking at it, I can honestly say it's my best Studio Tour Show to date. I have over 50 paintings, from 6 x 6 up to 30 x 40, in oils and acrylics, featuring still life and west coast scenes. It is the culmination of one full year of blogging, the goal of which was to push myself to improve my craft. I see so much personal growth as I look at all these paintings. This year I learned to paint with oils (I'm still learning), I experimented a lot with brushwork and edges, and I can definitely see and feel improvement in my craft. I absolutely love that! I also love how great blogging is, as a sharing forum and making friends with artists who I have only met online, but who I feel connected with.

Now that I'm starting my second year of blogging, I'm going to launch a blog project, starting soon (if only the weather would warm up). But first I'll be posting an interview with my good friend, portrait artist Manon Elder, who has an impressive exhibit at the Provincial Museum here in Victoria. I'll look forward to sharing her story with you. Talk to you soon!


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Wednesday, November 10, 2010

Country Road

Country Road  18 x 24  $475
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I blocked in the main colour pattern, concentrating on the rhythmic flow of  the branches, as well as establishing the tree trunks. These masses were then broken down into more varied tones and temperatures. My focal point is where the light hits the end of the road so I worked on establishing the light and dark contrast in that area. I used a number of greyed colour tones to make the more saturated colours pop. Because of all the layering of colours I paid close attention to the arial perspective, so that it layered back in space properly.


I drew in a few guidelines in burnt umber and started to block in the abstract colour shapes. Here everything goes in as a flat field of colour without creating shadows and form. I'm concentrating on the abstract shapes. I coloured the canvas with a sepia tone which I left to show through in small patches throughout the painting, creating colour harmony.








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